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| Bridge in the grounds of Haldon Belvedere — moss‑covered stone arch spanning a woodland stream | Haldon Belvedere — Stringer Castle rising against a dramatic sky | View from Stringer Castle — sweeping panorama towards the Exe estuary | Haldon Belvedere — twin‑towered façade with arched doorway and picnic lawn |
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| Rupert the dog outside Haldon Belvedere — a playful companion at Stringer Castle | Bench and ferns overlooking the Exe valley — a tranquil view from the Belvedere grounds | Surviving wing of Haldon House — sold after the First World War, now converted into a hotel | Haldon House façade — built in the 1730s by the Chudleighs, modelled on Buckingham House |
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| Haldon House — the surviving wing sold after the First World War, now converted into a hotel | A typical Devon thatched cottage — whitewashed walls and straw roof, echoing rural tradition | Dunchideock Church — 12th‑century foundation with 14th‑century bosses and Victorian restoration | Memorial plaque — commemorating parishioners who gave their lives in the Great War and WWII |
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| Royal Coat of Arms — the lion and unicorn flanking the shield, monarchy and state authority within the parish church | Ornately carved pulpit — Gothic tracery and painted saints, part of the Victorian renovations at Dunchideock | Major‑General Stringer Lawrence memorial — commemorating the “Father of the Indian Army,” Palk’s friend and Haldon Belvedere’s dedicatee | Martha Bryan memorial (1697) — heraldic shield, cherubs, and memento mori skull, vivid 17th‑century funerary art |
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| Rood screen and chancel — ornately carved Gothic woodwork, reconstructed in the Victorian era, framing the altar with medieval bosses above | Monument to Major‑General Stringer Lawrence — reclining effigy with portrait medallion, commemorating the “Father of the Indian Army” | Poetic epitaph — verses honouring Lawrence’s fame from Thames to Ganges, his deeds remembered in friendship and in tears | Marble plaque to Stringer Lawrence — recording his command in India (1747–1767) and his death in 1775, testimony to his virtues and service |
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| Captain Charles R.S. Pitman — Indian Army officer, decorated in WWI, later Game Warden in Uganda and friend of Joy Adamson, last of the Pitman line of Dunchideock House | Interior of Dunchideock Church — red and black tiled floor, medieval font, and Victorian furnishings within the restored nave | Rood screen — elaborate Gothic tracery and painted panels, reconstructed by Herbert Read in 1892, preserving medieval craftsmanship | Aaron Baker memorial — Governor of Bantam and first President of Madras, commemorated with Corinthian columns and heraldic arms, linking Devon to early East India Company history |
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| Edwina Pry memorial — poignant 1832 plaque recalling her virtues and beneficence, alongside her infant son Edward Harris Miller | Catherine Jane Keats and Diana Elizabeth Pitman — sisters drowned in a boating accident near Babbacombe in 1833, remembered with an ornate marble plaque | Stained glass window — central crucifixion scene flanked by saints, dedicated to Samuel Gilbert Scott and Edward Thomas Scott, parishioners commemorated in colour | Richly coloured stained glass — biblical figures in reverence, angels above, a Victorian addition enhancing the devotional atmosphere of Dunchideock |
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| Chancel screen and pews — richly carved Gothic tracery, Herbert Read’s Victorian reconstruction, with medieval bosses above | Heraldic stained glass — shields of England, noble families, and local arms, glowing reminders of aristocratic ties | Lucas brothers memorial — Harold Clement Montagu Lucas, killed at Neuve Chapelle, and Claude de Neufville Lucas, lost at Jutland, remembered with poppies | Ledger stone of Aaron Baker — Governor of Bantam and first President of Madras, who endowed the north chapel in 1669, buried here in 1683 |
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| Carved bishop figure — mitred saint holding staff and book, part of the ornate ecclesiastical woodwork at Dunchideock | Scholar or monk carving — seated with open book, Gothic tracery surrounding, a reminder of medieval devotion and learning | WWII memorial wall — plaques honouring parishioners who gave their lives, crowned by the Royal Arms, “Greater love hath no man than this” | Painted rood cross detail — stylised head with moustache and headdress, vivid colours against dark wood, a striking devotional motif |
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| Medieval stone boss — bishop’s head with mitre, weathered by centuries, gazing from the church wall | Medieval stone head — a woman in headdress, one of the expressive faces carved into the church walls | Crowned figure — stylised royal head, symbolic of authority and devotion, set high in the masonry | Kingly visage — crowned and bearded stone head, finely chiselled, echoing medieval craftsmanship |
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| Exterior boss — weathered medieval carving, one of the expressive faces that still gaze from the church walls | Stone head — clerical figure with tonsure, a reminder of the parish’s medieval community | Crowned head — royal or noble figure carved in stone, symbolic of authority and devotion | Looking out from Haldon ridgeline — sweeping view across the Teign Valley, echoing Stringer Lawrence’s beloved walks |