British Empire Title

Ships: Backbone of Empire

In 1891, P & O commissioned the artist William Whitelock Lloyd to draw pen and ink sketches that could be sold to the passengers as a keepsake for their voyage. The journey used by William for his inspiration was that of the SS Himalaya as it travelled from Southampton to India via the Suez Canal in 1891. The pictures give a good insight into life on board ship showing the difficulties of dressing, eating and the stifling heat that meant that many  passengers moved their mattresses up on deck to try and get some relief from the oppressive heat.
P & O Pencillings by William Whitelock Lloyd, 1891

England was a small island nation off the coast of the very powerful and dynamic continent of Europe proper. There were three options open to the English ruling classes. First of all, she could immerse herself in European politics and economics. However, the competition on this front was particularly fierce; the French, Italians, Austrians and a myriad of other powerful nations would ensure that England remained only one player in a crowded field. Besides, wars and religion made dabbling in this arena a very expensive undertaking.

Second, she could turn inward and try to stay aloof from the goings-on of the world. This strategy suited the Japanese in their dealings with their continental rivals. However, the English were already keen traders and had acquired tastes and business practices that made this option an unpalatable one.

In 1891, P & O commissioned the artist William Whitelock Lloyd to draw pen and ink sketches that could be sold to the passengers as a keepsake for their voyage. The journey used by William for his inspiration was that of the SS Himalaya as it travelled from Southampton to India via the Suez Canal in 1891. The pictures give a good insight into life on board ship showing the difficulties of dressing, eating and the stifling heat that meant that many  passengers moved their mattresses up on deck to try and get some relief from the oppressive heat.
P & O Pencillings by William Whitelock Lloyd, 1891

Her third choice was to turn to the opportunities offered by the rest of the world. And it is because she chose this path that first England, and then Britain, transformed herself into the preeminent maritime nation of Europe—and indeed the world.

England's rise as a maritime nation started with the reign of King Henry VIII. His ambitions were directed more toward Europe, but he did manage to lay down financial and military foundations that would be taken advantage of by his successors. The Mary Rose is testimony to the size and power that the King sought to develop. He wanted a navy to project his power and influence onto the European political scene. Unfortunately, his plans and schemes were not fully realised during his reign. However, his treasury was full, the ports were protected by new castles and coastal defences, and he had started a naval tradition that would bequeath valuable skills and experience to later generations of seagoers.

By the time Queen Elizabeth came to the throne, the most powerful maritime nations were Spain and Portugal. These nations had encouraged explorers to find new, exciting and highly profitable trade routes. However, there were deep religious and philosophical divisions between these Catholic nations and the Protestant English. Queen Elizabeth had no love for these religious and economic rivals and essentially sanctioned piracy on the high seas as a means of prosecuting war against the Catholic monarchies. Chief amongst her officially sanctioned privateers were Sir Francis Drake and Sir John Hawkins. These and other sailors wreaked havoc on Spanish and Portuguese trade routes to the East Indies and particularly to the New World. The Caribbean became especially notorious for rampant piracy.

In 1891, P & O commissioned the artist William Whitelock Lloyd to draw pen and ink sketches that could be sold to the passengers as a keepsake for their voyage. The journey used by William for his inspiration was that of the SS Himalaya as it travelled from Southampton to India via the Suez Canal in 1891. The pictures give a good insight into life on board ship showing the difficulties of dressing, eating and the stifling heat that meant that many  passengers moved their mattresses up on deck to try and get some relief from the oppressive heat.
P & O Pencillings by William Whitelock Lloyd, 1891

This rivalry turned into something of a naval arms race as the Spanish and English tried to outdo each other in terms of offensive power or speed to escape potential privateers. Military and commercial ships of both nations benefited from new technologies, techniques and skills. The naval rivalry between these two nations reached a head in 1588 with the Spanish Armada. This Spanish attempt to stamp out her English rivals was a gamble that did not pay off. Bad weather and English seamanship ensured that the Armada failed in its bid to land an army on English soil. More importantly, the destruction of much of the Armada left the English mariners in a very powerful position—particularly in the Caribbean and the New World. In the East Indies, with its spice trade, the English still had to contend with the Portuguese and the Dutch as serious competitors. But with the removal of the Spanish, the English were free to develop an unprecedentedly successful economic venture.

In 1891, P & O commissioned the artist William Whitelock Lloyd to draw pen and ink sketches that could be sold to the passengers as a keepsake for their voyage. The journey used by William for his inspiration was that of the SS Himalaya as it travelled from Southampton to India via the Suez Canal in 1891. The pictures give a good insight into life on board ship showing the difficulties of dressing, eating and the stifling heat that meant that many  passengers moved their mattresses up on deck to try and get some relief from the oppressive heat.
P & O Pencillings by William Whitelock Lloyd, 1891

There were two main commercial activities that allowed the English to maximise their maritime advantage: sugar and slavery. In fact, these were two complementary activities that worked very closely together. Slaves were needed to tend and harvest the sugar crops of the New World. The same ships that transported these slaves could then be loaded with sugar and brought back to Europe. With the advent of industrialisation in Britain, the third leg of this trip could also be made profitable. Cheap manufactured goods were taken from Liverpool and Bristol to West Africa and exchanged there for slaves; the slaves were exchanged for sugar in the Caribbean, and the sugar was finally sold in Europe at a huge profit. The profits involved meant that few people were overly concerned by any humanitarian or ethical issues. Indeed, the economic success of this trade meant that even more time, money and skills were ploughed into the British commercial and Royal Navies. The more and better the British ships became, the more she took the world's trade and the faster she developed into the world's preeminent naval power.

By the mid to late eighteenth century, the British could claim to have the largest and most successful naval forces in the world—both militarily and commercially. By this time, naval traditions, experience and expertise had been fully augmented by advances in science and the latest industrial products and techniques. British ships were familiar sights in ports and coastal regions the world over. However, two events would test this faith and confidence in the maritime forces of the nation. Soon, the British would realise that although they were a match for any nation on even terms, a combination of forces might lead to her undoing.

The first test of this theory was the American War of Independence. French and Spanish involvement in supplying and maintaining the insurrection, combined with Royal Naval ships and sailors fighting on the side of the colonists, showed the British that they were not as invincible as they had believed. However, the real test of the strength and importance of Britain's naval forces was to come with the rise of Napoleon on the European continent.

A brilliant tactician and strategist, Napoleon swept most of Europe before him. As he took effective control over these powers, he also took control of their navies. The British tried their best to thwart these plans, with some success in Holland and especially Denmark. However, the Spanish and French fleets combined again to form a most formidable force. Unlike the days of the American War of Independence, it was clear that the only way the British could dispense with the threat of Napoleon was to confront and defeat this navy in open battle. The stakes for the island nation had not been higher since the days of Drake and the Spanish Armada. Fortunately for the British, a new hero rose to the hour. Admiral Nelson successfully defeated the combined fleet at the Battle of Trafalgar. He paid for this victory with his life, but he laid down a sense of security for the island nation that would remain intact for another century. Although disappointments and setbacks did occur—most notably in the War of 1812–14—essentially the Royal Navy returned to being the preeminent maritime force.

In 1891, P & O commissioned the artist William Whitelock Lloyd to draw pen and ink sketches that could be sold to the passengers as a keepsake for their voyage. The journey used by William for his inspiration was that of the SS Himalaya as it travelled from Southampton to India via the Suez Canal in 1891. The pictures give a good insight into life on board ship showing the difficulties of dressing, eating and the stifling heat that meant that many  passengers moved their mattresses up on deck to try and get some relief from the oppressive heat.
P & O Pencillings by William Whitelock Lloyd, 1891

Indeed, the only serious threat to the Royal and Merchant Navies were the sailors, captains and admirals themselves. Complacency and a lack of serious rivals meant that the British maritime forces lay essentially unchanged for most of the nineteenth century. Half a century after the death of Nelson, the Royal Navy had barely changed at all—even the ships were the same. The only significant innovation that disrupted these traditions was the advent of steam. Even then, the Admiralty were reluctant converts to this latest technology and pined for the days of sail. It would be left to commercial forces and entrepreneurs to explore and develop this means of power. The most important name associated with these developments is that of Isambard Kingdom Brunel. This man built the first steamship to cross the Atlantic: the Great Western; the first ocean screw steamer: the Great Britain; and, for 40 years, the largest ship ever built: the Great Eastern. Although these ships were not the greatest of commercial triumphs, the combination of ingenuity, expertise and industrial technology meant that Britain would remain at the forefront of maritime power for some time to come.

Steam power opened up other avenues for exploration that had previously been difficult, if not impossible, for mariners to pursue. The ability to power a vessel upstream meant that many of the world's rivers could be opened up to European explorers and traders. This allowed for new parts of the world to be explored and new commercial and political relationships to be established. Africa saw this technology employed along its many rivers. Indeed, steamships were even taken overland to operate on the great lakes of the African interior.

In 1891, P & O commissioned the artist William Whitelock Lloyd to draw pen and ink sketches that could be sold to the passengers as a keepsake for their voyage. The journey used by William for his inspiration was that of the SS Himalaya as it travelled from Southampton to India via the Suez Canal in 1891. The pictures give a good insight into life on board ship showing the difficulties of dressing, eating and the stifling heat that meant that many  passengers moved their mattresses up on deck to try and get some relief from the oppressive heat.
P & O Pencillings by William Whitelock Lloyd, 1891

One side effect of the introduction of steam power was that coaling stations became a strategic necessity for the Royal and Merchant Navies. All of a sudden, the Royal Navy became concerned with the placement of naval bases, particularly with regard to how far a ship could steam before it needed refuelling. This new strategic thinking was augmented and amended by the opening of the Suez Canal in 1869. The world was becoming a smaller place at a rapid rate, and maritime necessities became central to much of the imperial expansion of the day.

Cash crops provided much of the financial impetus for maritime ventures at the imperial level. Tea, cotton, rubber—even opium—each took their turn in driving investment in Britain's maritime fleets. Combined with regular British trade patterns with Europe, Latin America and the United States, and the fact that populations were willing and able to move about the planet in unprecedented numbers, the importance of ships and maritime policy to the British Empire is easy to comprehend.

The next challenge to British supremacy of the waves came from the Germans. By the end of the nineteenth and the beginning of the twentieth centuries, European and imperial rivalries combined to form ominous and powerful blocs of nations. On one side lay the French and Russians; on the other, the Germans, Italians and Austrians. Britain tried to remain aloof for as long as possible, but when the Germans declared that they wanted a navy equal to the Royal Navy, the gauntlet had been laid. Britain joined with the French and Russians. A naval arms race between Britain and Germany proved costly to both countries. Matters were made worse when one of Britain's own innovations nearly bankrupted the nation. The development of the battleship Dreadnought in 1906 kept Britain at the forefront of naval technology, but at the cost of rendering its entire existing fleet obsolete. The Germans could easily catch up with this new technology and, had it not been for competing claims on their military budget, might have succeeded in doing so.

As it was, during the Great War, the British were just able to keep ahead of the Germans and successfully bottled them up in their Baltic ports for most of the war. However, another military development provided fresh worries and ominous portents for the British. The submarine did not affect the war as much as German commanders had hoped, but its potential to disrupt existing naval balances of power was clear to all. These concerns would play out at a much more lethal level during the next war.

In 1891, P & O commissioned the artist William Whitelock Lloyd to draw pen and ink sketches that could be sold to the passengers as a keepsake for their voyage. The journey used by William for his inspiration was that of the SS Himalaya as it travelled from Southampton to India via the Suez Canal in 1891. The pictures give a good insight into life on board ship showing the difficulties of dressing, eating and the stifling heat that meant that many  passengers moved their mattresses up on deck to try and get some relief from the oppressive heat.
P & O Pencillings by William Whitelock Lloyd, 1891

Meanwhile, the interwar period saw cutbacks to both the Royal and Merchant Navies. With little appetite for armed forces, British politicians reduced defence expenditure across all services. The Royal Navy was no exception. These cutbacks came just as new maritime rivals emerged on the horizon. During the Great War, the Americans had turned their massive industrial might to outfitting their armed forces in a very short period of time. At the same time, the Japanese had been left unchallenged to develop in the Pacific Ocean. When the war ended, they quickly sought to establish parity with the Royal Navy; the result was the Washington Conference. This conference established the so-called 5:5:3 ratios for capital ships: America and Britain were to be equal in size and number of ships, while Japan maintained 60% of these numbers. The effect of the conference was that Britain, for the first time since Drake, admitted that she would only be the equal of another power. No longer would she aim to be the preeminent naval power. In reality, she had also granted the Japanese local superiority in the Pacific region—a superiority the Japanese would use to dismember much of the British Asian Empire.

In 1891, P & O commissioned the artist William Whitelock Lloyd to draw pen and ink sketches that could be sold to the passengers as a keepsake for their voyage. The journey used by William for his inspiration was that of the SS Himalaya as it travelled from Southampton to India via the Suez Canal in 1891. The pictures give a good insight into life on board ship showing the difficulties of dressing, eating and the stifling heat that meant that many  passengers moved their mattresses up on deck to try and get some relief from the oppressive heat.
P & O Pencillings by William Whitelock Lloyd, 1891

The Second World War put Britain in as much, if not more, peril than the first. Her naval commanders rightly identified submarine warfare as the biggest threat to the island nation. The Royal and Merchant Navies took horrendous losses as these commanders developed ways of dealing with this silent menace. Convoys and ASDIC did most to redress the balance. But it was a long, hard fight—one that left Britain militarily and economically exhausted by the end of the war.

Britain would never reclaim its former maritime glory. The United States and Soviet navies would eclipse the Royal Navy in size, technology and power. Aircraft carriers, nuclear submarines and the rise of air power in general meant that the strategic balance had tipped forever. Withdrawal from empire accelerated this process even further. Bases in the Far East, Southeast Asia, the Middle East and even the Mediterranean seemed like expensive anachronisms that no longer served any purpose.

At a commercial level, the rise of air transport killed off much of the passenger business of the shipping lines. New trade patterns were established as imperial trade was replaced by much shorter European destinations.

The fall from grace of Britain's naval heritage is only striking when one realises how long and how deeply that tradition had been the lifeblood of the nation. Generations of citizens grew up with the unquestioning belief that Britannia ruled the waves. Now that she is a middle-ranking European nation, it is not hard to see why so many people lament the passing of an era—and why it inspires so many more to be fascinated and interested in this area of British history.

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Suggested Reading

Nelson’s Trafalgar: The Battle That Changed the World
by Adkins, Roy – Viking, 2005

The Ideological Origins of the British Empire
by Armitage, David – Cambridge University Press, 2000

Empire and Information: Intelligence Gathering and Social Communication in India, 1780–1870
by Bayly, C.A. – Cambridge University Press, 1996

Guns, Sails and Empires: Technological Innovation and the Early Phases of European Expansion
by Cipolla, Carlo M. – Sunflower University Press, 1985

Unfinished Empire: The Global Expansion of Britain
by Darwin, John – Penguin, 2012

Enterprising Women and Shipping in the Nineteenth Century
by Doe, Helen – Boydell Press, 2009

The Interesting Narrative of the Life of Olaudah Equiano
by Equiano, Olaudah – Penguin Classics, 2003

Isambard Kingdom Brunel: The Life and Legacy of the Industrial Genius
by Griffiths, Denis – House of Stratus, 2006

To Rule the Waves: How the British Navy Shaped the Modern World
by Herman, Arthur – HarperCollins, 2004

The Rise and Fall of British Naval Mastery
by Kennedy, Paul – Penguin, 2004

The Challenge: Britain Against America in the Naval War of 1812
by Lambert, Andrew – Faber & Faber, 2012

The Sea and Civilization: A Maritime History of the World
by Paine, Lincoln – Atlantic Books, 2013

The Command of the Ocean: A Naval History of Britain 1649–1815
by Rodger, N.A.M. – Penguin, 2006

The Pirate Queen: Queen Elizabeth I, Her Pirate Adventurers, and the Dawn of Empire
by Ronald, Susan – HarperCollins, 2007


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