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The Westcountry Walker: Hiking Through History

St Mary’s Steps Church, Exeter


St Mary’s Steps Church, Exeter

St Mary’s Steps Church stands on the western side of Exeter’s historic centre, close to the line of the old city wall and overlooking West Street. It is one of the most distinctive medieval survivals in the area, its position on the steep descent giving rise to the name. The church is first recorded in the thirteenth century, though its present form reflects later rebuilding and alteration. The tower, with its characteristic clock and figures, is a familiar landmark. The church was long associated with the parish of St Mary Major, and its proximity to the West Gate made it a notable point of reference for travellers entering the city from the west.

The church’s most striking feature is the clock and its accompanying figures, known locally as “Matthew the Miller” and his companions. They strike the quarter hours, a tradition that has continued for centuries. The mechanism has been repaired and renewed many times, but the figures themselves retain their historic appearance. The churchyard, now small, once extended further before nineteenth-century road improvements altered the surrounding layout. The building’s position beside the medieval wall emphasises its antiquity, and the surviving masonry of the wall can still be traced behind the church.

St Mary’s Steps has witnessed many changes in the surrounding neighbourhood. West Street was once a busy thoroughfare lined with inns, workshops and small houses, and the church served a densely populated parish. The decline of the area in the nineteenth century, followed by slum clearance and later redevelopment, altered the character of the district, but the church remained a constant presence. Its survival through periods of neglect and alteration is notable, particularly as many nearby medieval buildings were lost.

During the Exeter Blitz of 1942 the church escaped serious damage, though the surrounding streets suffered heavily. Fires and explosions destroyed many buildings in the West Quarter, and the church stood amid widespread devastation. Its endurance added to its reputation as one of the city’s more resilient medieval structures. Later restoration work ensured its continued use, and although the parish was eventually united with others, the building retained its identity and historical significance.

Today St Mary’s Steps Church remains an important reminder of Exeter’s medieval topography. Its tower, clock figures and position beside the old wall make it one of the most recognisable landmarks in the West Quarter. Although no longer the centre of a large parish, it continues to attract interest from visitors exploring the city’s older streets. The church stands as a testament to the layers of history that characterise this part of Exeter, surviving centuries of change while retaining its distinctive presence on the steep descent of West Street.

St Mary Steps Church, Exeter – detail of the medieval rood screen with painted figures, red candle stands, and iron chest beneath, showing 15th‑century craftsmanship and later restoration work. St Mary Steps Church, Exeter – chancel east window with vivid stained glass by John Hayward (1966) depicting Christ in Majesty, replacing glass lost in wartime damage. St Mary Steps Church, Exeter – south chapel altar with 19th‑century stained glass showing St Peter, vestments laid out for service, and carved wooden altar front. St Mary Steps Church, Exeter – chancel interior with painted vaulted ceiling, sunburst panel bearing the IHS Christogram, and altar frontal embroidered with the Virgin and Child.
St Mary Steps – medieval rood screen with painted saints and iron chest beneath, illustrating 15th‑century Devon carving. St Mary Steps – east window by John Hayward, 1966, depicting Christ in Majesty amid radiant post‑war glasswork. St Mary Steps – south chapel altar with St Peter window and 19th‑century vestments arranged for service. St Mary Steps – chancel view with painted ceiling and embroidered altar frontal showing the Virgin and Child.
St Mary Steps Church, Exeter – close detail of the medieval rood screen showing painted figures of clergy beneath Gothic tracery and carved foliage. Interior of St Mary Steps Church, Exeter, showing the carved medieval rood screen, vaulted blue ceiling, and stone font beside the pews. Matthew the Miller clock on St Mary Steps Church tower, Exeter – colourful astronomical dial with carved quarter‑jack figures dating from 1620. St Mary Steps Church, Exeter – red sandstone façade with embattled tower and adjoining Stepcote Hill’s medieval timber‑framed houses.
St Mary Steps – detail of the painted rood screen with Gothic carving and figures of clergy. St Mary Steps Church – interior view of the medieval rood screen and vaulted painted ceiling. Matthew the Miller Clock – ornate astronomical dial and quarter‑jack figures on the church tower. St Mary Steps Church – exterior view showing the red sandstone tower and Stepcote Hill alongside.

Exeter, a City That Yields Its History Step by Step
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